the exhibition, which took place in videobrasil’s shed, had as a prologue a timeline that contextualized the life and work of the lebanese artist within the political events of his country.
in the space, designed by us, the walls were taken over by text. modular structures, generally used in film sets, served as a support for books, photos and multimedia content. through numerical referencing, the narrative of what we read on the wall intersected with the content of these supports. in the catalog, the timeline reveals itself through the folds of its cover-folder.
(exhibition photos by pedro napolitano prata)